Tuesday, February 7, 2017

James Baldwin on America

From the new documentary ...

It’s not a question of what happens to the Negro here or to the black man here—that’s a very vivid question for me, you know—but the real question is what is going to happen to this country. I have to repeat that.

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In the years in Paris, I had never been homesick for anything American— neither waffles, ice cream, hot dogs, baseball, majorettes, movies, nor the Empire State Building, nor Coney Island, nor the Statue of Liberty, nor the Daily News, nor Times Square. All of these things had passed out of me. They might never have existed, and it made absolutely no difference to me if I never saw them again. But I had missed my brothers and sisters, and my mother. They made a difference.

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They don’t want to believe, still less to act on the belief, that what is happening in Birmingham is happening all over the country. They don’t want to realize that there is not one step, morally or actually, between Birmingham and Los Angeles.

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I’m terrified at the moral apathy, the death of the heart, which is happening in my country. These people have deluded themselves for so long that they really don’t think I’m human. And I base this on their conduct, not on what they say. And this means that they have become in themselves moral monsters.

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I have always been struck, in America, by an emotional poverty so bottomless, and a terror of human life, of human touch, so deep, that virtually no American appears able to achieve any viable, organic connection between his public stance and his private life.

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What I’m trying to say to this country, to us, is that we must know this… …we must realize this, that no other country in the world has been so fat and so sleek, and so safe, and so happy, and so irresponsible, and so dead. No other country can afford to dream of a Plymouth and a wife and a house with a fence and the children growing up safely to go to college and to become executives, and then to marry and have the Plymouth and the house and so forth. A great many people do not live this way and cannot imagine it, and do not know that when we talk about “democracy,” this is what we mean.

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To watch the TV screen for any length of time is to learn some really frightening things about the American sense of reality. We are cruelly trapped between what we would like to be and what we actually are. And we cannot possibly become what we would like to be until we are willing to ask ourselves just why the lives we lead on this continent are mainly so empty, so tame, and so ugly. These images are designed not to trouble, but to reassure. They also weaken our ability to deal with the world as it is, ourselves as we are.

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All of the Western nations have been caught in a lie, the lie of their pretended humanism; this means that their history has no moral justification, and that the West has no moral authority.

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The story of the Negro in America is the story of America. It is not a pretty story. What can we do? Well, I am tired…. I don’t know how it will come about. I know that no matter how it comes about, it will be bloody; it will be hard. I still believe that we can do with this country something that has not been done before. We are misled here because we think of numbers. You don’t need numbers; you need passion. And this is proven by the history of the world. The tragedy is that most of the people who say they care about it do not care.

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What they care about is their safety and their profits. The American way of life has failed— to make people happier or make them better. We do not want to admit this, and we do not admit it.

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In this country, for a dangerously long time, there have been two levels of experience. One, to put it cruelly, can be summed up in the images of Gary Cooper and Doris Day: two of the most grotesque appeals to innocence the world has ever seen. And the other, subterranean, indispensable, and denied, can be summed up, let us say, in the tone and in the face of Ray Charles.

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History is not the past. It is the present. We carry our history with us. We are our history. If we pretend otherwise, we literally are criminals. I attest to this: the world is not white; it never was white, cannot be white. White is a metaphor for power, and that is simply a way of describing Chase Manhattan Bank.

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What white people have to do is try and find out in their own hearts why it was necessary to have a “nigger” in the first place, because I’m not a nigger, I’m a man. But if you think I’m a nigger, it means you need him. The question that you’ve got to ask yourself, the white population of this country has got to ask itself, North and South because it’s one country and for a Negro there is no difference between the North and the South—it’s just a difference in the way they castrate you, but the fact of the castration is the American fact….If I’m not the nigger here and you invented him, you the white people invented him, then you’ve got to find out why. And the future of the country depends on that, whether or not it is able to ask that question.
posted from Bloggeroid

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